Daughters of Orpheus

The threads of song are sometimes the only thing that seems to last
As if, in their ephemeral nature, they conquer death itself

It is the breath that carries the life force
It is the breath that releases it to the world

The song lines belong to the before and the after
Beyond a single body, beyond a single mind -

As we exhale through song, the trees breathe it in
And in turn, their oxygen sustains the song lines
Of another generation, in fact we breath the breath
Of our ancestors, in concentric circles of surrender


The Daughter of Orpheus have spilled out of the borders
And all around this earth, women sing Bulgarian Folklore

Medena Ensemble, whom I have been leading, and now fold into
Have been invited to collaborate in Bulgaria itself, this August

What a great journey to keep the fires burning for !

In celebration of our new song cycle that reaches across the oceans
We would love to sing for you on Sunday 8th June, 6pm
If you cannot join us in Auckland for this live vocal event, there are other ways you can support the expedition, like contributing to the give a little fundraiser, that our voices take flight ...


DAUGHTERS OF ORPHEUS
Sunday 8th June, 6pm
Ellen Melville Centre, Auckland

Aotearoa’s premier Bulgarian Folklore Vocal Ensemble, lead by Tui Mamaki, present their new collection of exquisite acapella offerings - carrying song threads from afar, with a longstanding passion for, and dedication to, the craft.

“The Daughters of Orpheus” is a vibrant feminine tapestry of traditional Bulgarian song, where classic choral arrangements rub shoulders with obscure rural treasures, at times arranged for improvisation. This song cycle is specially prepared for Medena Ensemble’s upcoming collaboration with the long standing New York based Bulgarian folk choir, Yasna Voices, at the renowned Koprivshtitsa Festival, in Bulgaria this August.

Orpheus was said to make music so beautiful that stones would roll, and trees would uproot, to be able to follow him and listen... All the women who carry folklore song threads in Bulgaria are deemed to be “The Daughters of Orpheus”.

During their time in Bulgaria, the singers will also engage in some specialised vocal study with masters in the music including, the Bistrishkite Babi, Iliyana Naydenova, Svetla Stanilova, Hadjievi Sestri, Neli Andreeva, Radka Aleksova, Gergana Dimitrova and more.

The Medenki invite you to celebrate and support their inaugural journey to the source of this enchanted mahi! Attending this concert is one way of doing that. Another is to contribute to the givealittle

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www.tuimamaki.com/medena-ensemble
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River of Song

It has been a long time I’ve not found the words…

                                       Photo Trevor Villers

Something about… the River of Song. The one that flowed before we earthed, the one that will continue after we are gone. Old songs, fresh takes. Two Ensembles I lead, Acapollinations & Medena Ensemble, had the pleasure last weekend of sharing this devotion – in joyful colour and resonant bodies – at the 51st Auckland Folk Festival ! Tender eye, Trevor Villers & the young Sabine Mignault were there to capture moments during our acapella contribution to the “Songs From The Old Country” program.

These images are a trace of a sound, first of all. The sound that originates before it begins. The open, connective shapes that we align with, before the voice is even heard. Our dedication to the continuum of vowel matter as musical line. The un-ending, un-starting river running, that we join for a while. Breath as an integral part of the wheel of sound, naturally occurring as a consequence of complete, and devotional, delivery of the musical phrase. The gift of love in motion, released to the world.

The stirring continues…

In lending myself to the propagation of beautiful dissonance, trans-cultural vocal calibrations, and an intentional return to the vulnerable, powerful, ancient arts of acapella music – I’d like to share with you our upcoming Workshops & Concerts :

1. “Like Ringing Bells & Howling Wolves” Interferential Diaphony Workshops will pop up in: RAGLAN next Sunday 11th Feb (half-day) and in WELLINGTON on Saturday 2nd March (full-day) REGISTER HERE

2. ACAPOLLiNATiONS Trio, featuring the fresh soprano raptures of Gabrielle Young (Cantonese-Belgian-Kiwi), are taking their “M/OTHER Tongue” repertoire to Festival of Cultures in Palmerston North (Saturday 24th February) and Newtown Festival in Wellington (Sunday 3rd March). See you there!

3. For those of you taken by the honeyed voices of Medena Ensemble, save your Sunday 19th May to join us in the beautiful wooden heart of the Unitarian Church, in Ponsonby, Auckland @ 3pm.

ARRIVAL

26/9/14

The distinct sensation of being a jellyfish – carried by the currents, tumbled by the waves, exhibiting a generally transparent personality, with not a word to say. I have become an ambivalent witness of the lights passing through me and frequently quiver with salty emotion.  My dear partner returned to Aotearoa/NZ yesterday. This singular year begins…

7/10/14

Stepping out from my school, each turn is a cobbled cross-country exercise. Large, irregular and ancient stones carry high-heeled women, walking as if they were crossing a river ford (romance is augmented when there is a man’s arm to hold onto…) Aside from this riveting spectacle, the narrow streets, misty today, lead into gardens, churches, galleries, houses for music and their courtyards, where roses hang their heads, heavy with rain, where words emerge triumphantly from a child’s mouth, “o, чадър! как се казваш?” (Oh, umbrella! What’s your name?) And so, a grandfather chuckles, while the milk-bearing mother cat streaks across the way, furtively seizing her moment…

Plovdiv AmphitheaterFilip-Kutev-EnsembleThe roman amphitheater, onto which the academy opens, is home to grand performances, two of which I have been lucky enough to catch. The famous Trakia and Filip Kutev Ensembles spread their brilliant wares even though it rained. My favorite acappella quartet, Eva Quartet, will sing in a music-house at end of the month. Classical music is also in high regard and I am learning to sort my outings by preference as the West European classics ‘à la Bulgare’ have markedly less spine-chilling watts for me, than the gripping arrangements of local polyphony.

With Plovdiv vying for some “cultural capital of the year” European title in 2019, council money is lavished on swish ruin illuminations, stars beneath our feet, and plenty of concerts / presentations, in what seems to be an extra long warm up, while just a street or two back, large old houses are in ruin and graffiti reigns…

My-VistaFacadeNevertheless, praise to the muted sound of the main pedestrian street at night – how calm a city can be with the sweet absence of cars! I’ve only been in one since I am here. The intercity buses are brilliant.

I am renting a room in a house built at the beginning of last century. Sharing no language with my landlady, I discovered after some time that I was not flatting with a fiery artist, but with her nifty mother. With the pension being but 200lev per month (not enough to live on) pennies are pinched: cold-water dishes and shower water heated just enough for one at a time, menus consisting mostly of potatoes, beans and tomatoes, as they are in season. Cigarettes are cheap, so those don’t count. I’m keeping up with a little more than spuds myself, and feasting on olives, goats cheese, dark bread, walnuts, honey…

The floorboards are pretty wild to say the least, some windows don’t open and each door has its own voice. The bathroom and kitchen are like caves that you climb into, built hugging the shape of the mountain. Because yes, the charm is that I am at the foot of one of Plovdiv’s 5 hills, each rising abruptly out of the pure plain.

West-from-SahatThese rockin’ bumps are home to roman ruins, minarets from the Ottoman time turned bell-tower, humongous soviet style statues left over from socialist times, clusters of satellite dishes, prolific graffiti on rock, kissing youth, pre-teens having their first cider out of school on a Tuesday, dogs walking their masters, the occasional lost soul – monologuing, and many scratchy bushes and trees that I don’t know the name of…

I made my first geranium cuttings and, lo and behold, despite it being autumn, they are budding on my windowsill.  I practice yoga facing the south window (where the warmth is!) and have already lost count of the yellow leaves falling. They are swept away, daily, by the Roma sweepers… Yes, all the sweeper women, with their brush brooms, are darker eyed, darker skinned, and have experienced the weather… I have been shocked by more than one vehement comment on the subject of this unofficial ethnic hierarchy.

My anticipated health sacrifice – to spend a year in a place where they smoke madly indoors, in search of music – is null and void.  Three years ago the Bulgarian people passed the no-smoking-indoors law, which is a total blessing, considering that they are 2nd in the world (smokers per capita) just after Greece and just before Serbia… one can sense the Philip Morris mantel sweeping steadily across the landscape.

10/10/14

There has been more than one administrative riddle and it has taken a good two weeks to understand my timetable and attend the right classes as the right time! The road was not paved – so to speak, and the phenomenal ability humans have to misunderstand each other in normal life, was visibly augmented by our language/cultural barriers. But school is beautiful – see one of the back doors and the steps of the singer’s building below…

School-DoorSingers-BuildingNow with a whole 8 afternoons of language class under my belt, I forage into conversation and just try to keep “спокоино” (calm) when it goes over my head – which is usually by the 2nd or 3rd sentence. There are some angels undercover here, who take the time to smile into my eyes, listen patiently and find words in their broken English to help.

The all female Folklore Choir makes a sound you wouldn’t believe. This, being the main attraction for me, ironically, was the class I wasn’t given information about for two weeks. I could hear them down the corridors but didn’t dare barge in, mid-rehearsal. All is well that ends (or continues) well. I got my dose of shivers today and have a pile of scores to catch up on, with the double task of learning text that doesn’t mean anything to me… yet! I am a sponge, I am sponge, I am sponge…  Here is a short sample of their rehearsal today in Plovdiv. Those of you who know me will understand why I am in pure bliss at the notion of soaking in this for a year.

Otherwise, the dear Prof. Dora Hristova welcomes me into her vocal ensembles on Thursdays – singing in trio to quintet formation. Such a blessing to study intimately with this experienced woman, the conductor of the LMVB (Le Mystère des Voix Bulgares) choir itself! She is bright, generous and inclusive.

The third strand of my study, individual Folklore singing, has opened up its share of tasks with 5 songs already – lavishly ornamented, of various odd-meters, I am encouraged to maintain a particularly clear and forward vowel resonance, and to use short percussive consonants – which is extra funny when there are 4 of them in a row! The 7 distinct regions of Folklore song in Bulgaria will be revealed to me as we go. For now I have 3 tunes from Trakia and 2 from Rodopi on the boiler…

CHANGEABILITY

I feel a real fondness for Aotearoa/NZ weather. I feel akin to the constant shifting of skies, close clouds swift and the distant ones, still. The hush of the coastline today – is that water to sand or wind to leaf? The glossy wink of Pohutukawa foliage along cliff-tops echoes that of the sea-skin, ruffled this afternoon by the fingers of a tender northerly.  And the sharp cry of gulls deepens the sky… how much does this inform I? Do these moods, shifting over the land and sea of me, form in communion with my surroundings? I look forward to observing what changes in me and what stays constant, while immersed in a different land… soon Bulgaria.

Words can only go so far, so I sang us a sun-shower…